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Zoom H5 4-Track Portable Recorder for Audio for Video, Music, and Podcasting, Stereo Microphones, 2 XLR/TRS Inputs, USB Audio Interface, Battery Powered

£149.5£299.00Clearance
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Optional accessories: SPH-1N Accessory Pack, WSU-1 universal hairy windscreen, HS-1 hot shoe mount, MA-2 tripod to mic stand adapter, AD-17 AC adapter. An Ambisonic microphone capsule that incorporates four condenser microphones to capture 360-degree audio. This has nothing to do with Zoom H5, and it will be constant regardless of what interface you’re using. Zoom F6 can only record from external microphones, so don’t even think about it, if you want to be recording with the XY module built in either H2n or H5. The sound quality was quite a bit better than my smartphone, a Xiaomi Poco F2 PRO at that moment, so all in all, I have been happy with the performance of the Zoom H5 for this too.

It features a system that allows the supplied XY microphone capsule (XYH-5) to be swapped out for another interchangeable Zoom microphone capsule. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. Three elements combined with digital signal processing inside the SGH-6 give you the highly directional pickup power of a conventional shotgun mic in a unit only half the size – ideal for recording dialogue and narration with no intrusive mic in the scene. The package is presented nicely, and offers sufficient protection for the rather fragile XY capsules. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.THAT SAID, the recording quality on the H5 is remarkably higher than the previous brothers, the sound is just more naturally "in your face" and easily verges on a studio-like sound.

If your XLR-1/4" input source is so loud that you need even less gain than the preamps provide at the "0" setting, use the menu system to activate the -20 dB pad (selectable per input). Day or night, view vital information such as audio levels, recording time, battery status, and more on the large, monochrome backlit LCD. It’s a sturdy and robust feeling device, built for years of ongoing use in all sorts of scenarios and situations. The angle of the microphone capsules can be altered from 90 to 120 degrees for a wider stereo image.

Slightly too large to consider “pocket size”, the Zoom H5 still fits easily in your hand, and weighs less than your average cup of takeaway coffee. By comparison, you could have an entire band play music, and record them using the H5’s XY mic, and it would sound amazing. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

With a swappable stereo microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the H5 is both user-friendly and easily expandable. I recommend avoiding recording in MP3, as those will come out less practical to edit later, and all audio recordings need some post production. Backup-Record lets you record a duplicate set of L/R tracks with 12db less input gain, which helps you protect your recordings.There’s also a separate headphone output, and you can use both outputs at the same time to route audio to your DSLR while monitoring with headphones. The MSH-6 Capsule contains dual mic elements - a forward-facing, unidirectional mic (the 'Mid') and a side-facing, bi-directional mic (the 'Side'). Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

It will pick up handling noise moderately, but if you stay still and not move a lot, you won’t notice it. Audio is more than 50% of a video, and Zoom H5, and even the tiny Zoom H2n can help with that a lot.

H2n is recording on its face or back, so either where the display is, or the back, so it can be tricky to position and adjust if fiming video. Recordings are made to microSD/SDHC card as either linear PCM WAV files for higher resolution, or in MP3 format to maximise recording times. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic news gathering. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. Zoom MSH-6 capsule contains a unidirectional forward-facing microphone element as well as a bi-directional, side-facing microphone element to capture audio otherwise known as ‘mid-side’.

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